“I became a life insurance salesman in London in May 1969, for the glamour, the fast cars, the groupies… the beautiful women who’d stop at nothing to buy life insurance. It’s a very well kept secret.”

Thus begins Peter Rosengard’s extraordinary account of his life so far, and the endless adventures in which he made, lost and remade a fortune; founded London’s famous Comedy Store, discovered and managed some of the greats in stand-up comedy; turned an unknown boy band into a chart-topping sensation; and sold the world’s biggest life insurance policy ever in history, for which he is still celebrated in the Guinness Book of Records.

But it’s not what he has done that makes this book so funny and inspiring. It’s how. That record-breaking insurance policy began with a cold-call from a public phone box. His success with chart-topping pop prodigies was based on a hunch and a sense of fun. His many escapades with presidents, prime ministers, princes and mayors; musicians, moguls, comics and actors; addicts, brawlers, gamblers and mobsters, and even terrorists, happen simply because Rosengard sees no reason why they should not.

This is a book about “chutzpah”. Rosengard’s relentless, manic, often infuriating, energy is a testament to his simple belief that “nothing’s impossible”.

About the author

Peter Rosengard is a life insurance salesman.

Advance praise for Talking to Strangers

“Peter Rosengard is quite, quite mad – but is also brilliant and funny and can sell anything to anyone. As many of us know to our cost”. John Lloyd, TV producer ( QI., Blackadder, Not the Nine o Clock News).

“If Peter Rosengard writes half as well as he talks this is a work of genius. If he writes half as fast as he talks you will have finished reading this before you started it.”- Howard Jacobson, Booker Prize Winner.

“Peter was a key figure at the birth of what became known as Alternative Comedy. Because of that I am very grateful to him. Hence this quote, highly recommending a book which I have not read. It also means I don’t have to buy a policy.” – Ben Elton, writer, comedian and Comedy Store veteran.

“Few careers outside show-business have encompassed such vivacity, such bravado, such adulation, such immodest rewards- in short, such sexiness.”- Richard Asquith, The Evening Standard: ES Magazin.

 

Writer and journalist Sarah Murray never gave much thought to what might ultimately happen to her remains. That was until her father died. Puzzled by the choice he made for the disposal of his “organic matter”, she set off on a series of voyages to discover how death is celebrated and commemorated in different cultures. Making an Exit is Murray’s exploration of the extraordinary creativity unleashed when we seek to dignify the dead. Along the way, she encounters everything from a Balinese royal cremation, Mexico’s Day of the Dead celebrations, a Czech chandelier made from human bones, a weeping ceremony in Iran, and a Philippine village where the casketed dead are left hanging in caves. She even goes to Africa to commission her own Ghanaian coffin.

Her accounts of these journeys are engaging, poignant, and funny. But this is also a very personal quest — for on her travels, Murray is seeking inspiration for her own eventual send-off.

To purchase a copy, please go to Amazon.co.uk
To contact the author, e-mail makinganexit@gmail.com

About the author

Sarah Murray is a journalist, editor, longtime Financial Times contributor and author of Moveable Feasts: The Incredible Journeys of the Things We Eat. Born in the UK, she lives in New York City.

Praise for Making an Exit

An Eat, Pray, Love for the afterlife… a deeply informative book.- The Washington Post

Ms Murray excels in the role of intrepid tour guide. She has an inviting way of taking readers by the hand to explore new cultures and places.- The Economist

Murray handles her subject sensitively; Making an Exit is witty without being frivolous, moving without being mawkish.- Financial Times

[A] brilliant survey of funeral rites. I was transfixed by this oddly life-enhancing book.- Daily Mail

Italy’s longest-serving prime minister, television tycoon, property mogul, football magnate, singer, Casanova and joker, Silvio Berlusconi has put his stamp on Italy like no other politician since Benito Mussolini.

Accused of paying for sex with an under-aged belly-dancer, the legal case is but the latest in a string of lurid tales, including allegations that he hosted orgies at his luxurious villas. A hero to many of his compatriots, ridiculed abroad, his antics raise questions about Italy’s image in the world.

Does Berlusconi represent the true face of his country – its fragile democracy, crony political system, opaque industry and poorly-regulated media – or is he a maverick, an anomoly, soon to pass on, and be remembered simply as The Last Emperor of Rome.

About the author

Mojca Širok is Rome correspondent for Slovene National Television. She has been covering Italian politics and social affairs since 1993. Her previous book, Oblast brez obraza (“Power without a Face”), investigated Italy’s four mafia syndicates.